Looking at Jesus In Paintings

Looking at Jesus In Paintings January 13, 2014

In Jesus’ lifetime he was not so distinct from other Jews, except perhaps for his charismatic qualities. He was a Jew within a spectrum of Judaism. The Pharisees and the other rabbis had not only to cope with dissident Jews, but also with their Roman environment. Jesus was not their only or even major problem. The separation of the Christians from the Jews, what seems fairly sharp now, was of course not so clear then. While modern Christians might like to believe, as would his early followers, that there were unmistakable signs of who Jesus was, the situation was more fluid. Any clarity we now see, as did Paul, is a retrospective construct. 

Even if Jews do not now recognize the markers of transcendence that say Jesus is Christ, modern Christians must surely hold out retrospective hope for Jews contemporary with Jesus. That is, if we cannot agree on who is marked for ultimate election or salvation, we also will not agree on who is surely not so marked. Jesus’ followers, Christians, could not have known which of the persecutors—Romans, Pharisees, Sadducees, pagans—would be won over in time, just who would see the light and be convinced by the miraculous evidence. So when Rubens paints The Tribute Money he must portray the rabbis as not only potential persecutors (along with Rome), but as potential converts. This is the least he owes to historical verisimilitude. At that moment one could not be sure who would end up on each side. Yet Rubens knows about Jesus’ authenticity in a way no early Christian could have, and he does not resist the temptation to express that knowledge.

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